League blesses Jeezy with another winner, this time a collaboration with fellow ATL trapper T.I. While the subject matter isnt anything new, what raises this song above your standard ghettos got us trapped but we still gon make it anthem is the contrast between Jeezys gravelly drawl and Jills buttery vocals.
Jill Scott takes lead on the song with a spoken word intro she also takes command of the hook. Trapped (featuring Jill Scott) B+Īn interesting collaboration, the first song from production squad J.U.S.T.I.C.E. Lil Lody is back on the boards for this one.ġ0. The track aspires to be inspirational but falls short of its goal. Now, thanks to the rap game, he has everything he desires. If this one doesnt find its way to radio, something is clearly wrong. The gothic piano chords from Warren G add a touch of menace, just enough to remind you that this playalistic song is about a thug and his bad chick. Leave You Alone (featuring Ne-Yo) B+īack to back love anthems on a Jeezy album? Quelle surprise! With R&B crooner Ne-Yo on the hook, Jeezy comes strong with the type of track that was, at one point in time, de rigueur for hip-hop albums. Its funny that Jeezy has cemented his status as one of the genres premiere trap rappers but actually fares better when he tries different things, such as this song which he jokingly calls love making music.Ĩ. Rest assured, given its subject matter, the song is quite gutter the smoothed out production, courtesy of Midnight Black, makes this one a winner. Here, Jizzle simply praises his main chick. Guest rapper 2 Chainz adds nothing memorable to the proceedings. What better way to celebrate your success as a street pharmacist than to get high, get drunk, and find a promiscuous partner for the evening? Unfortunately, this uninspired song is about as titillating as a drunken rant from Kat Stacks. Sorry, Future, but unless you switch your style up, you wont have a future in the rap game. Way Too Gone (featuring Future) C+Įverything about this song screams Young Money, from the Noah ∴0 Shebib-ish beat, with its muted textures and atmospheric vibe, to the no-name guest star doing a pretty bad Lil Wayne impression. The beat, while generic, does have some get up and go.ĥ. What is Jeezy rhyming about in this song? Absolutely nothing.
Simpson murder case: killin that white bitch, the best to ever do it and get away with it, and the gloves dont fit him so they gotta acquit him. All three have done better than this. While coke rap can be entertaining, and even artful when done well, this track is rather lame, with limp references to the infamous O.J. Theres nothing here you havent heard before. OJ (featuring Fabolous and Jadakiss) CĬocaine punchline rap. This is the type of production DJ Paul and Juicy J could do in their sleep, and with much more thump and flair.ģ. Again, Lil Lody is responsible for the beat.
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Jeezy spits self-aggrandizing lyrics over horror movie pianos and whiny synths. Jeezys layered hook and Lil Lodys anemic production fails to excite. Though it would like to be, this song is nowhere near as anthemic as TM101s title track. If this is any indication of whats to come, however, perhaps a bit more time in the studio wouldve done some good.
Sorry for the wait is basically what Jeezys saying on the albums intro. Is it ambitious enough to keep Jeezys thug following motivated and inspired? Thought the Snowman departed from his lesson plan when The Recession came around, but now hes back with a new album, Thug Motivation 103: Hustlerz Ambition. The first lesson was 2005s classic Lets Get It: Thug Motivation 101 and was swiftly followed the next year by The Inspiration (also known as Thug Motivation 102). When Young Jeezy first got into the hip-hop game, he sought to education a nation of thugs via a syllabus of his own design.
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